Descent into Slavery 3 - Forever her Slave: A lesbian BDSM erotic short story

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Descent into Slavery 3 - Forever her Slave: A lesbian BDSM erotic short story

Descent into Slavery 3 - Forever her Slave: A lesbian BDSM erotic short story

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This contract is provided as a secure and binding agreement which defines in specific terms in a relationship and interaction between two individuals, hereafter termed the slave and the Goddess. This agreement is legal and binding. This agreement must be entered voluntarily, but cannot be broken except under the conditions stated herein, after which certain precautions shall be taken to protect those involved. (See section 7.0.0)

‎Sweet Sapphic Slavery (Erotica, Lesbian, Mind Control, Sex

Survivors are trapped in a cycle that delegitimizes their experience: first by downplaying the likelihood that it could happen at all, then by not validating it once it happens, and finally by not analyzing the data—and therefore creating awareness—after it does.

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Then somehow, all of a sudden, years passed. We became two professionals in our late twenties, living in our dream apartment on the top floor of a Brooklyn brownstone. We weren’t allowed to have pets, but, like good millennials, we had plenty of plants, and interests outside of each other: my roller derby, their ultramarathons. We were busy, stable. Happy enough. I was captivated by what Eileen Myles told me at the time: “I know how to fight for what I want, to say no, when to wait. I’ve been in time for 65 years. I have a lot to share. That supposedly should only be in my teaching life — that’s not the case. It’s amazing on both sides to be able to share the world from different angles. It’s lively. It’s hot.” I planned to meet Dana in the ship lobby that morning so that we could wander around for a while before the event. When we set off into town together, she gently informed me that my whatever-it-was with Lynette had not gone unnoticed by the staff, who’d encouraged Dana to encourage me to spend more time speaking with other people and reporting on the ship’s endless entertainment options. Punishment of the slave is subject to certain rules designed to protect the slave from intentional abuse or permanent bodily harm (see 4.0.0). Punishment must not incur permanent bodily harm, or the following forms of abuse: The Manusmriti, a first century legal text, places a very small fine upon sex between nonvirgin women; however, one who "manually deflowers a virgin" is sentenced to the loss of two fingers. [41] If two virgins are caught, the 'doer' "has to pay double the girl's dowry and is given ten whiplashes". [42] The Manusmriti fails to provide a punishment for mutual oral or manual sex. [42]

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At dinner, we wondered why we couldn’t have both: explicitly lesbian spaces that also explicitly love, and welcome, trans and gender-nonconforming people. Our identities shouldn’t be opposed, but in communion with each other: butch and femme, trans and cis, lesbian and queer. Female-female relationships or sexual activities were occasionally depicted in Greek art. For example, a plate from Archaic Thera appears to show two women courting. [30] An Attic red figure vase in the collection of the Tarquinia National Museum in Italy shows a kneeling woman fingering the genitals of another woman in a rare explicit portrayal of sexual activity between women in Greek art, [30] although it has also been interpreted as depicting one prostitute shaving or otherwise grooming the other in a non-sexual fashion. [39] Ancient India [ edit ] The Flo

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The slave agrees to submit completely to the Goddess in all ways. There are no boundaries of place, time, or situation in which the slave may willfully refuse to obey the directive of the Goddess without risking punishment, except in situations where the slave’s veto (see section 1.0.1) applies. The slave also agrees that, once entered into the Slavery Contract, their body belongs to their Goddess, to be used as seen fit, within the guidelines defined herein. All of the slave’s possessions likewise belong to the Goddess , including all assets, finances, and material goods, to do with as they see fit. The slave agrees to please the Goddess to the best of their ability, in that they now exist solely for the pleasure of said Goddess. In medieval Europe, the Christian Church took a stricter view of same-sex relations between women. Penitentials, developed by Celtic monks in Ireland, were unofficial guidebooks which became popular, especially in the British Isles. These books listed crimes and the penances that must be done for them. For example, "...he who commits the male crime of the Sodomites shall do penance for four years". The several versions of the Paenitentiale Theodori, attributed to Theodore of Tarsus, who became archbishop of Canterbury in the 7th century, make special references to lesbianism. The Paenitentiale states, "If a woman practices vice with a woman she shall do penance for three years". [62] Penitentials soon spread from the British Isles to mainland Europe. The authors of most medieval penitentials either did not explicitly discuss lesbian activities at all, or treated them as a less serious sin than male homosexuality. [63] d) Where said command may cause psychological trauma to the slave, such as a rape scene for a slave that has been raped in the past. I’m determined to do something showstopping, but our offerings are comically limited. No Sheryl Crow, no Michelle Branch. Not even “Total Eclipse of the Heart.” No doubt you’re thinking this will be just another one of those slave histories, all sugared over with misery and despair,” Frannie tells us in voiceover. That’s what you’d get on the BBC; we’re on ITV, though, so there’s also a love story, some lesbian passion and a murder mystery. And Frannie is far from being a downtrodden figure: educated and well-read, proud and defiant, she bonds with her mistress over a shared love of the Romantic poets and challenges anyone who treats her with disrespect. At one point she declares that she is fed up with people “deciding who I am or what I am as soon as you take one look at me”.



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